Sartre Studies International

The paper examines Lévi-Strauss' criticisms of Sartre's conception of dialectical reason and history as presented in the last chapter of La Pensée Sauvage, suggesting that these criticisms are misplaced. Sartre's notion of reason and history in the Critique is much closer to structuralist accounts than Lévi-Strauss seems to recognize, but it differs in placing a strong emphasis on activity and praxis in place of the latter's passive conception of reason. The active role of the inquirer in structuralist thought is examined using Roland Barthes' account of "The Structuralist Activity," which is shown to have important affinities with Sartre's own conception of the relation of structure and praxis in the Critique. I then briefly consider a modified conception of the role of history in structuralism expressed by Lévi-Strauss in the mid-seventies, suggesting that his altered position still fails to recognize the important role of praxis in structuralist accounts of history. I conclude by suggesting that Lévi-Strauss' criticisms are nonetheless important for illustrating the "Critical" character of Sartre's Critique.

Sartre's theory of the imagination is important both as an alternative to the idea that the imagination consists of images contained somehow in the mind - the "illusion of immanence" — and as an early formulation of Sartre's conception of consciousness. In this paper I defend Sartre's theory of imaginative consciousness against some of its critics. I show how difficulties with his theory parallel a perennial problem in Sartre-interpretation, that of understanding how consciousness can negate its past and posit possibilities beyond the facticity of its situation. In this short essay I will not provide a detailed exposition of Sartre's theory of the imagination. Rather, I provide the basis of an interpretation of this theory that emphasizes the role that the past plays in imaginative consciousness.

Sartrean conceptions of the Ego, emotions, language, and the imaginary provide a comprehensive account of "magic" that could ultimately give rise to a new philosophical psychology. By focusing upon only one of these here—the imaginary—we see that through its irrealizing capabilities consciousness contaminates the world and bewitches itself in a manner that defies simple deterministic explication. We highlight this with an explication of what Sartre means by "nihilation" and the "analogon," and introduce a concrete example of nostalgia, hoping to lay the scene for a detailed study into the dynamic between our ontological freedom and its constitution and experience of phenomena as enchanting and bewitching. "Magical being" must therefore involve a deep, Sartrean analysis that explicates ontological freedom as becoming concretely engaged in both the real and irreal alike, whereby the imaginary as magic can lead to the most insane, as well as the most artistic, incantations.

Is Jean-Paul Sartre to be credited for Richard Wright's existentialist leanings? This essay argues that while there have been noteworthy philosophical exchanges between Jean-Paul Sartre, Simone de Beauvoir, and Richard Wright, we can find evidence of Wright's philosophical and existential leanings before his interactions with Sartre and Beauvoir. In particular, Wright's short story "The Man Who Lived Underground" is analyzed as an existential, or Black existential, project that is published before Wright met Sartre and/or read his scholarship. Existentialist themes that emerge from Wright's short story include flight, guilt, life, death, dread, and freedom. Additionally, it is argued that "The Man Who Lived Underground" offers a reversal of the prototypical allegory of the cave that we find in the Western (ancient Greek) philosophical tradition. The essay takes seriously the significance of the intellectual exchanges between Sartre, Beauvoir, and Wright while also highlighting Wright's own philosophical legacy.

In general, the Sartrean concept of the subject as "being-for-self" and "being-for-others" is read as if Sartre had sketched these structures as given "a priori" and therefore as unalterable. One of the consequences of this interpretation lies in calling Sartre's theory contradictory, especially with regard to his ethics, because of the assumption that, based on this concept, changing the inauthentic structures of the subject into authentic ones would be impossible. Contrary to this interpretation, I argue that Sartre's philosophical theory is by no means contradictory, neither in its relation to ethics nor as it relates to the complete edition of Sartre's philosophical writing, if one tries to understand what kind of theoretical requirements Sartre considered to be relevant and necessary. From this point of view, it is possible to work out an adequate and consistent interpretation. In order for me to argue for the immanent consistency of Sartre's theory and for the resulting possibility of an ethical theory based on it, I will discuss some aspects of the relation between epistemological, ontological and ethical elements within Sartre's philosophical system.

Joseph S. Catalano, Reading Sartre. Cambridge: Cambridge University Press, 2010. 213pp., $25.99 (paperback) ISBN 978-0-521-15227-3; $85.00 (cloth) ISBN 978-0-521-76646-3

The Lived Experience of Existence: Fanon between Theory and Meta-Theory Review by Stefan Bird-Pollan

Farhang Erfhani, Aesthetics of Autonomy: Ricoeur and Sartre on Emancipation, Authenticity, and Selfhood Review by David Detmer

Jennifer Ang Mei Sze, Sartre and the Moral Limits of War and Terrorism Review by Elizabeth Butterfield