ISSN: 1357-1559 (print) • ISSN: 1558-5476 (online) • 2 issues per year
This article explores the relationship between existentialism and the horror genre. Noël Carroll and others have proposed that horror monsters defy established categories. Carroll also argues that the emotion they provoke - 'art-horror' - is a 'composite' of fear and disgust. I argue that the sometimes horrifying images and metaphors of Sartre's early philosophy, which correlate with nausea and anxiety, have a non-coincidental commonality with art-horror explained by existentialism's preoccupation with the interstitial nature of the self. Further, it is argued that, as with some of the more sophisticated examples of the horror genre, the way for existential protagonists like Roquentin and Gregor Samsa to meet the challenge of the horrifying involves an accommodation of these features of the existential condition within their developing identity, which results in them appearing monstrous to others. Lastly, it is claimed that the association between existentialism and art-horror can explain the (paradoxical) appeal of horror.
This article explores Sartre's approach to the phenomenon and praxis of boxing in the Critique of Dialectical Reason. It examines two aspects of Sartre's approach to the 'sweet science': first, it analyses the claim that a single boxing match (and each punch thrown within it) 'incarnates' all the violence of boxing itself, which in turn 'incarnates' all socio-economic violence, so that, by extension, all such violence is concretely particularized in the boxing match; and second, it attempts to link the phenomenology of transcending/transcended subjectivities degraded by the fight-relation to the praxiology of alienation and the deterioration of praxis.
This essay compares Sartre's existential psychoanalysis with Freud's psychoanalysis and Binswanger's Daseinsanalysis. On the one hand, Sartre's psychoanalysis, despite the pure phenomenological interpretation of the factical self (in the first part of Being and Nothingness), is ultimately metaphysically founded on the concept of 'human reality' (in the fourth part of the book), so that this psychoanalysis cannot be identified with the way of interpreting existence in the Daseinsanalyse. On the other hand, Sartre's phenomenological interpretation of the factical self implies that Freud's analysis of psychical phenomena is false, because the self 'is strictly to the degree that it signifies' (Sketch for a Theory of the Emotions) and is 'coextensive with consciousness' (Being and Nothingness).
In 1945, the day after his famous public lecture on existentialism, Sartre gave an interview to a reporter at the café Le Flore; in it, he talks more about his novels The Age of Reason and The Reprieve than about Being and Nothingness, and he talks about the project for the future volume, The Last Chance. In this article I touch on how he reiterates points from the famous lecture in the interview, but especially on some of his comments about Mathieu and Brunet in terms of freedom and 'bad faith'. I move on to discuss why the next volume, Death in the Soul (translated in the USA as Troubled Sleep), was not the final one, and why The Last Chance was never completed. Then I turn to the largely unrecognized fact that the American translation of the third volume distorts Sartre's text for 150 pages by failing to show that he wrote the action of all of Part II in the present tense without paragraph breaks; I will offer an interpretation of this tense choice on Sartre's part.
This article considers Sartre's relations with the French Communist Party (PCF) in the years immediately following the Liberation when the PCF considered that, of all the prominent French intellectuals, it was Sartre who posed the greatest threat. This article opens by situating the PCF within the French political landscape immediately after the Liberation and addressing its attitudes towards intellectuals. It then examines the main themes of the attacks launched by the PCF, between 1944 and the staging of Les Mains sales (Dirty Hands) in 1948, on both Sartre and existentialism and the reasons for these attacks. It concludes by noting the differences between the PCF and Sartre on three specific political issues during this period.
Ingrid Galster, Beauvoir dans tous ses états. Paris, Tallandier, 2007, 347pp. ISBN 978-2-84734-454-7 €25 (paperback)
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