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One Sound, Two Worlds: The Blues in a Divided Germany, 1945-1990

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One Sound, Two Worlds

The Blues in a Divided Germany, 1945-1990

Michael Rauhut
Translated from the German by Jessica Ring

360 pages, 24 illus., bibliog., index

ISBN  978-1-78920-193-2 $130.00/£92.00 Hb Not Yet Published (May 2019)

eISBN 978-1-78920-194-9 eBook Not Yet Published


Hb View cartYour country: United States - Click here to remove geolocation   Recommend to your Library Buy the ebook from these vendors Available in GOBI®

Reviews

Praise for the German edition:

“Rauhut proves himself to be a true specialist with outstanding expertise … For anyone seeking a basic understanding of blues music in Germany, Rauhut’s study is indispensable.” • American Studies

“If books were reviewed in the same way as CDs, this one would be lit up with six stars. It’s as good as it gets.” • Blues News

“Michael Rauhut’s book is a masterpiece … analytically sharp and substantial.” • Detlef Siegfried, University of Copenhagen

Description

Although it first emerged in the United States, blues music has been performed and enjoyed across the world for over a century. Among the varied places where it took root was Germany, where in the postwar era it overcame political and ideological divisions to reach eager listeners in both East and West. Through extensive archival research and conversations with key figures, One Sound, Two Worlds tells the story of how blues music was created and consumed in the two Germanys, investigating not only its social impact within a divided nation, but also its ability to shape and influence national identities.

Michael Rauhut is a professor of popular music at the University of Adger, where he is part of the popular music research unit and is the team leader on the research team “Popular Musicology.”

Subject: Postwar History Performance Studies General Cultural Studies
Area: Germany



Contents

List of Illustrations
Acknowledgements
Abbreviations

Introduction: Just turn that noise off …

Chapter 1. Sense and Sensibility: How We Know What the Blues Is

Chapter 2. Early in the Morning: An Awakening

  • Under the Influence of the Hot Club Movement
  • B.O.A.S.: Blues Overseas American Service
  • The Perception of Jazz and Blues in East Germany
  • Conquering the Media’s Gray Zone
  • Archetypes: Blues on Stage

Chapter 3. Get off of My Cloud: Emancipation

  • The Concept and Design of the American Folk Blues Festivals
  • Logistics, Marketing, and Artistic Profiles
  • The Second Season of the American Folk Blues Festival
  • The American Folk Blues Festival in East Germany
  • Blues Discourses: Topoi, Interpretive Models, and Clichés

Chapter 4. Standing at the Crossroads: Expansion

  • Between Pop and Political Protest
  • The Voice of the ‘Other America’
  • The Blues as Official Culture in East Germany
  • In German: Blues and the Mother Tongue
  • Far from the Mainstream: L+R Records

Chapter 5. I’m Drifting and Drifting: Daily Routines

  • Niches and Biotopes: Scene Action Spaces
  • The Self-Concept of the German Blues Circle
  • Only a ‘Black’ Person Can Sing the Blues
  • Metamorphoses: The Blues and the Hippie Cult in East Germany
  • Fans in the State’s Crosshairs

Conclusion: … just turn it up

References
Index

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