ISSN: 2045-4813 (print) • ISSN: 2045-4821 (online) • 3 issues per year
Published Open Access as part of the Berghahn Open Society collection.
Get 35% discount when you checkout 3 or more PDF articles. How important are regional foci in a world that is defined by transfers and
mobilities? This issue of Transfers features a special section that addresses this
question and provides varied answers on the role regions play in the understanding
of modernity, power, and practices of moving. The call for the special
section, “Asia on the Move,” went out in spring 2017. Since then, questions of
mobilities, migration, and transfers have not only gained increasing attention
and importance, they have also been met with resistance by local groups, in
politics and social development—often, in the global point of view, from quite
unexpected directions, as in the case of Myanmar and Rohinga migration in
2018. After declining in status and mode share sharply with the popularization of the
motorcycle, cycling in Vietnam is on the rise. Urban elites who pursue sport
and leisure cycling are the most visible of Vietnam’s new cyclists, and they
bring their sense of social mastery out onto the road with them by appropriating
the nation’s new, automobile-focused infrastructures as places for play and
display. While motivated by self-interest, their informal activism around securing
bicycle access to new bridges and highways potentially benefits all and
contributes to making livable cities. These socially elite cyclists transcend the
status associated with their means of mobility as they enact their mastery over
automobile infrastructures meant to usher in a new Vietnamese automobility. The past decade has witnessed an exponential growth in literature on the diverse
forms, practices, and politics of mobility. Research on migration has
been at the forefront of this field. Themes in this respect include heterogeneous
practices that have developed out of traditions of resistance to a global historical
trajectory of imperialism and colonialism. In response to such historical
transformations of recent decades, the nature of postcolonial inquiry has
evolved. Such changing postcolonial trajectories and power negotiations are
more pronounced in specific parts of the world than in others. To that end,
“Postcolonial Intersections: Asia on the Move” is a special section that engages,
examines, and analyzes everyday power negotiations, focusing particularly
on Asia. Such everyday negotiations explicitly point to pressure points
and movements across multiple geosocial scales where gender, religion, age,
social class, and caste, to name a few, are constantly negotiated and redefined
via changing subjectivities. This case study of Dharamshala (India), a community that emerged as an outcome
of mobility just a few decades ago and is constantly fueled by refugees,
migrants, and tourists, aims to challenge the conceptual boundary between a
receiving society and mobile Others, and to pose questions about community
making in the context of postcolonial mobility. The history of Dharamshala reflects both the legacy of colonialism and the modern processes of mobility in
postcolonial Asia. The town’s highly fluid and heterogeneous community consists
of people of different nationalities, ethnicities, religions, and castes from
Tibet, Nepal, the Global North, and various Indian states. Most are seasonal
migrants attracted by the success of Tibetans in turning this in fact refugee
settlement into a popular tourist destination, while some have already settled
there. Communities embedded in mobility—for which mobility is an everyday
lived experience—reshape our thinking about adaptation processes and social
coexistence. This article investigates three historical moments in Rangoon, Burma (Yangon,
Myanmar) when the city has restricted certain forms of mobility. The first occurred
in 1920, when British authorities restricted rickshaws pulled by Indian
laborers. The second was in 1960, when the military “caretaker government”
sought to sideline pedicabs and horse carts as part of an urban “cleanup”
campaign. The third happened in 2017, when city authorities under a new
democratic government sought to limit the number of taxis and allow digital
ride-hailing services such as Uber and Grab to operate in the city. Despite three
very different forms of government, the later discourses eerily echo the exclusionary
logic that certain forms of migrant driven mobility need to be cleared
away for more “modern” mobility. This article examines the arrangements that authorities put in place for populations
of mixed ancestry from two former colonies in Asia—the Dutch East
Indies and British India—and compares them with those of French Indochina
during decolonization. These people of mixed ancestry, or “Eurasians,” as they
were commonly called at the time, were a heterogeneous group. Some could
pass themselves off as Europeans, while others were seen as indigenous people.
The arrangements were negotiated during round table conferences, at
which decolonization in all three colonies was prepared. Which agreements
were made, what consequences did they have, and how and why did these differ
across the three colonial contexts? To answer these questions, I use material
from governmental archives from all three former colonial contexts. The
article shows that information on the paternal ancestry of Eurasians was decisive
in the allocation of European citizenship and admission to the colonizing
country. Scholarship in the field of hip-hop studies has convincingly argued against a
“cultural grey out” and in favor of “local idiosyncrasies” in the mobility of cultural
forms. That said, no published study has focused on the movements of the
artists themselves in a transpacific context that places scenes in Japan, South
Korea, Indonesia, Cambodia, and Vietnam in conversation with one another.
Varying histories of colonialism and postcolonial movements are essential aspects
of each social context. I argue that the transpacific lens allows scholars to
draw out the movements of individuals, influences, and emergent trends in the
art form to better understand how artists are, metaphorically, scratching back
and forth between representing originality on the one hand and the need for
popular appeal on the other. I draw on vinyl itself as a metaphor for this article,
which is framed as an EP. The articles in this issue’s special section strike a balance of disciplines, geographical
areas, scales, and seniority levels, and offer thought-provoking examples
of studies of postcolonial intersectional locations of mobile people and
ideas in Asia. This response seeks to tease out the potential avenues not only
for future themes of research but also for innovative methods. It concludes
with an invitation to better incorporate intersectionality into our research and
acknowledge how it also plays out in our own positionality and understanding
of mobility. This thought piece reflects on the workings of modern migration through the
prism of metabolism. It contends that the metabolic idiom productively underscores
how migration as a process is enabled and evoked by particular flows of
materials and energy and how the movement of migrants engenders social and
environmental transformations. Reassembly, curated by G Douglas Barrett and Petros Touloudi
Tinos, Greece
5 July 2017 to 31 October 2017
The free movement of bodies and objects once considered critical for the
smooth functioning of contemporary art has appeared, especially since 2017,
increasingly uncertain in this era marked by new forms of nationalism, xenophobia,
and economic isolationism. Indeed, many artists working in this
environment have found it difficult or impossible to cross once unquestionably
open borders, or to ship works to and from exhibitions held across a requisitely
international stage. As an attempt to respond to this crisis, I, along
with Petros Touloudis, curated Reassembly, an exhibition held in the summer
of 2017 on the island of Tinos, Greece. The exhibition came out of an annual
residency program organized by Touloudis’s Tinos Quarry Platform and was
held at the Cultural Foundation of Tinos. Overall, we wanted to ask if there is
a critical role for music can play in the field contemporary art, especially as its
plagued by new forms of border policing and geopolitical conflict. Decentering the State in Automobility Regimes Kurt Beck, Gabriel Klaeger, and Michael Stasik, eds., The Making of an African Road (Leiden: Brill, 2017), 278 pp., 34 illustrations, $78 (paperback)
Understanding Globalization from Below in China Gordon Mathews, with Linessa Dan Lin and Yang Yang, The World in Guangzhou: Africans and Other Foreigners in South China’s Global Marketplace (Chicago: University of Chicago Press, 2017), 256 pp., $27.50 (paperback)
Rethinking Mobility and Innovation: African Perspectives Clapperton Chakanetsa Mavhunga, ed., What Do Science, Technology, and
Innovation Mean from Africa? (Cambridge, MA: MIT Press, 2017), 256 pp., 25
black-and-white illustrations, $36 (paperback)
When Is a Crisis Not a Crisis? The Illegalization of Mobility in Europe Nicholas De Genova, ed., The Borders of “Europe”: Autonomy of Migration,
Tactics of Bordering (Durham, NC: Duke University Press, 2017), 376 pp.,
$27.95 (paperback)
City, Mobility, and Insecurity: A Mobile Ethnography of Beirut Kristin V. Monroe, The Insecure City: Space, Power, and Mobility in Beirut
(New Brunswick, NJ: Rutgers University Press, 2016), 204 pp., 7 photographs,
$27.95 (paperback)Volume 8 Issue 3