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We have discussed ritual between us for a long time—Don often from his suspicions of the canonical understanding of ritual as representation, Galina through her studies of healing and therapeutic efficacy Calvin, who introduces this collection of essays on ritual in its own right,
understands ritual as well as many anthropologists. Calvin is dramatizing thematics
that I am trying to avoid. Complaining about the peanut butter, spoiled
because his mother did not observe the proper ritual for scooping it out, he is
telling us: do the ritual correctly. It exists because it has a function—control.
Perform control in your ritual, and you will have control in your life. The ritual
of how to scoop out peanut butter is a representation of life. Living produces
its own symbols, its own reflections, and these are the ritual, existing to enact themes of living—here that of control. The ritual has meaning, otherwise
why the argument between Calvin and his mother over its importance for living?
For Calvin, scooping out peanut butter is akin to a Geertzian model of and model
for living—you scoop peanut butter the way you live your life. One thing is certain:
to understand the peanut butter ritual, one begins with life, not with a jar
of peanut butter. First, though, let’s have a look at the peanut butter in the jar … Symbolic meaning and representational and reflexive perspectives
remain dominant orientations in the analysis of ritual. While these
must be crucial, this essay argues that a focus on the perceptual
dynamics of rite, especially as these are located in ritual aesthetics,
may expand an understanding of the force of rite. The discussion
develops critically upon Victor Turner’s seminal work, suggesting
ways in which ritual analyses may be redirected. The related concepts
of dynamics and virtuality (distinguished from the cyber-technological
kind) are developed, indicating that these may be critical
for understanding how rites change or transform the situations to
which they are directed. Ritual as a dynamic in virtuality that has no
essential or necessary relation to the ordinary realities that surround
it may, because of this fact, be greatly empowered as a force that can
pragmatically intervene in ordinary realities. The thought experiment ‘ritual in its own right’ implies a suspension
of dominant interpretive paradigms in anthropological research. This
essay begins by juxtaposing the foundational accounts of Weber and
Geertz—both of whom associate ritual with the quest for meaning in
suffering—with the phenomenological account of Emmanuel Levinas,
who argues that suffering is inherently “useless” and therefore resistant
to meaning’s claim. All three theorists are then juxtaposed with
the Warsaw ghetto writings of a twentieth-century Jewish mystic,
Kalonymos Shapira, whose work exemplifies the tension between
meaningful and useless suffering in a real social setting. Shapira’s
work bears comparison with Levinas’s, and lends support to the idea
that our preoccupation with meaning may stem from a particular religious
genealogy of social theory. Ritual can be analyzed as a ground
of intersubjectivity or transcendence rather than meaning, which
makes it more akin to medicine, in Levinas’s terms, than to theodicy. This essay reports on the performance of an initiatory rite of the
author’s invention, undertaken as a practical experiment for thinking
about certain recurrent features of ritual action and, specifically, of
(male) initiation. In keeping with an approach that sees ritual as the
enactment of special relationships, this initiation, The Red and the
Black, was designed to demonstrate the importance of interactive patterning
both for the structuring of ritual performance and for the participants’
commitment to the relationships they ritually enact. Its
meaningfulness, as well as its capacity to affect the participants’ perceptions
and ideas, is shown to derive less from the (minimal) explicit
symbolism it employs, the beliefs it presupposes, or the social functions
that can be attributed to it than from the relational entailments
of the coordinate interactions it involves. Framing, simulation, secrecy,
imposed suffering, symbolism, ceremonial efficacy, ritual condensation,
and the complex interplay of in-group and out-group perspectives
are among the issues that are illustrated and discussed. Over time, anthropology has lost the notion of ritual within the
framework of exchange and of the ‘total social fact.’ Sahlins as well
as Mauss interpreted the Maoris’ hau as a paradigm of exchange in
which any event comprising a circulation of objects is but an exchange.
The notion of ritual thus vanished, leaving in its place a long
chain of logically equivalent transitive exchanges. Drawing on Orokaiva
(Papua New Guinea) material relative to the competitive attempt
of several religious factions to establish a comparative view of customary
and Christian ritual, the Maori hau is revisited. This reading
shows a clear contrast between what we must call ritual, comprising
a hierarchic and mediated form of exchange wherein gifts are equated
by virtue of the ‘spirit of the gift,’ and exchange per se, constituted by
a face-to-face transaction of goods wherein equivalence is posited
between prestations. This essay focuses on a strange medieval phenomenon, the so-called gift of tears—religious weeping that brings beatitude. This internal purifying process, which was embedded in the specific conditions of historical Christianity, was described and understood as a procedure in which God himself acts and, therefore, as a process that human-kind cannot learn, formalize, or ritualize. However, the author analyzes religious weeping as a peculiar, `intimate ritual' in which the formalized process took place in the soul or spirituality of the weeping person. This essay aims to describe and analyze this practice while examining the historical conditions that enabled such a cultural elaboration to develop. Ritual can be rehabilitated in its own right by emphasizing what it
has in common with play: the ludic evocation of a simultaneous
shadow reality. What is more, ritual can be understood as an enjoyable
form of playing with realities. More than a solemn occasion,
useful because of its social and cultural functions, ritual is a festive
enactment of a counterreality. Connectionist ideas on the parallel
processing of schemas and repertoires lend themselves for mapping
the properties of ritual in its own ludic right. The human mind allows
for a rapid comparison by the parallel—and not serial or sequential—
processing of alternative schemas for thought, action, and emotion.
An ethnographic illustration is taken from a boys’ initiation ritual
among the Wagenia (Congo). It has been generally agreed that rituals of healing work through
transforming the embodied self; thus, they are especially fit to be
analyzed as rituals in their own right. This chapter focuses on the ritual
of soul retrieval as it is practiced by Western urban neo-shamans.
It argues that apart from giving the patient new memories and new
narratives of the self, this version of soul retrieval works by staging
a formalized context for forgiveness, here conceptualized as reconciliation
between the self and the mundane and divine others. It is
argued, however, that the mechanism of this healing ritual is better
understood in the light of New Age ontologies of the self, consciousness,
and the divine, making ‘ritual in its own right‚’ a good first step
towards re-engaging with the social. This essay examines a ritual called a 'disobsession' by Brazilian Kardecist-Spiritists, discussing how it might affect the biophysiology of the patient and provide more than symbolic assistance. In the ritual, mediums enter into trance, communicate with and/or receive spirits, and engage in exchanges with them, while the patient being treated merely observes. Since the sufferer is not knowledgeable about the Kardecist belief system, an analysis that assumes shared values, contexts, and systems of semiosis between healer and patient does not apply. I argue instead that the participants are in a trance-like, hypnotic state during which they respond as do patients treated elsewhere with hypnotically facilitated psychology or hypnotherapy. While not necessarily aware of it, during the ritual they internalize beliefs about the powers of spirits that may be transduced to produce proteins that activate the immune and other bodily systems, thereby contributing to their cure. Roy Rappaport’s attempted semiotic schematization of the logic of
ritual, relying on analytical tools from C. S. Peirce’s philosophical
semiotics, is examined in terms of both its conceptual coherence
and its relation to other schematizations of ritual, especially Michael
Polanyi’s thematization of a ‘tacit logic’ of meaning-making. The
Peircean foregrounding of sign types (icons, indices, symbols) is
compared to Polanyi’s delineation of an irreducible from-to structure
of consciousness, rooted in the distinction between focal and subsidiary
awareness, and to his further distinction between indication
and symbolization as ways of relating to and effecting symbolic
complexes, such as rituals. One of the startling upshots of this comparison
is that the distinctions between ‘thick ritual’ and ‘thin ritual,’
and between art and ritual, become extremely labile. Examples
from Ralph Waldo Emerson, Philip Larkin, and Simone Weil illustrate
this last point. Understandably, one would think, the social is the heartland of ritual studies.
What is ritual, if not the Durkheimian effervescence of the social? Still, a number
of the essays in this volume move towards the borders of the social. Perhaps
this has occurred because the contributors were asked to think of ritual in its
own right, thereby freeing them from the so deeply embedded anthropological
stricture that ritual is social because it must be attached to, relate to, or service
some group. Ritual is created by groups and expressive of groups, otherwise it
is insignificant. This complicity of ritual and groupness implicitly demands
that rite have meaning or function for the social, the raison d’être of ritual’s
existence. Thus, the structures, dynamics, and processes of ritual are immediately
oriented to the social. Rarely considered is that taking this tack eliminates
other possibilities in which thinking on ritual ignores the borders of the social. Notes on ContributorsVolume 48 Issue 2