Journal of Bodies, Sexualities, and Masculinities

On the cover of this issue, we have another image from the Wellcome Collection. This image by ABIA (Associação Brasileira Interdisciplinar de AIDS/Grupo) is a not-for-profit organization mobilized in response to the emergence of HIV/AIDS in the 1980's. The image is a reworking of the “Creation of Adam” by Michelangelo and was used as part of HIV/AIDS prevention advertising campaign.

External ejaculation (the cum shot) is considered a central component of heterosexual pornography and is often used to visually mark the end of an action of sexual intercourse. Critical analyses of pornography have asserted that external ejaculation can be conceptualized in terms of the maintenance of heteronormative expectations of male dominance as expressed through hegemonic masculinity. The present analysis adopts a broader view of external ejaculation by considering the phenomenon in terms of contamination, performance, and discipline. The polysemic analysis presented suggests that in some cases the conventions of pornography as represented in the external cum shot can represent a threat to masculinity and male spectators by creating unrealistic expectations for male sexual performance.

This article examines British masculinity in Kenya. It focuses on British expatriate Sydney Walker, the protagonist of Yusuf Dawood's One Life Too Many, who moves to Kenya at the height of British colonial rule and stays on in the new postcolonial state under black rule. It looks at how he constructs his masculinity among fellow men and in relation to the female other. Walker struggles to retain the colonial masculinity of his predecessors amid shifting terrain. Using the key concepts of hegemonic and subordinate masculinities as presented in Raewyn Connell's masculinity theory, which argues that gendered relationships in institutions are controlled by power, this article examines the diverse masculinities in One Life Too Many and argues that sex plays a major role as an instrument of power that heterosexual men use to dominate other men and subordinate women. It contends that the power dynamics in the sexual arena symbolically represent the shifting power relations in the postcolonial Kenyan state, in which the status of British working-class men had changed due to their loss of political power.

In this article, I describe the roles played by society and individual life-history on the aging process of a South Asian artist in Europe. Using participant observation and the life-history method, I look at my informant's emotional practices of aging. The resultant case study delineates his emotional pursuits and his views on what it means to be a man in his early sixties. I start by reviewing anthropological critiques of many of the current taken-for-granted gendered and biomedical conceptions of the aging body. Thereafter, I try to add to the debate surrounding these conceptions by looking into the affective economy of aging that my informant is embedded in. The article is as such an effort to understand the role that affect and emotional practices play in youthful ideals and self-conceptualizations of aging and masculinity.

In this article, I explore negotiations of sexualities among Romanian and Bulgarian migrant male sex workers in Berlin. After explaining the concept of sexual script, I argue that inasmuch as those sex workers work on the gay male scene but spend the rest of their daily lives within the broader Romanian and Bulgarian communities, they need to negotiate between the gay male and the heteropatriarchal sexual scripts, which are prevalent in these social spaces, respectively. I examine six strategies by means of which the sex workers surf the binarisms of the scripts and in so doing reveal the ambivalence and sociospatial situatedness of human sexuality.

Miriam J. Abelson. Men in Place: Trans Masculinity, Race, and Sexuality in America (Minneapolis: University of Minnesota Press, 2020), 264 pp. ISBN: 9781517903510. Paperback, $25.

Andrew Reilly and Ben Barry, eds. Crossing Gender Boundaries: Fashion to Create, Disrupt and Transcend (Bristol: Intellect Books, 2020), 225 pp. ISBN: 9781789381146. Hardback, $106.50.

Jonathan A. Allan. Men, Masculinities, and Popular Romance (London: Routledge, 2019), 176 pp. ISBN: 9780815374077. Paperback, $31.95.

Andrea Waling. White Masculinity in Contemporary Australia: The Good Ol’ Aussie Bloke (Abingdon, UK: Routledge, 2020), 222 pp. ISBN: 9781138633285. Hardback, $124.