View Table of Contents
Sign up for our email newsletters to get customized updates on new Berghahn publications.
Click here to select your preferences
The Films of Robert Wiene
Uli Jung and Walter Schatzberg
240 pages, 44 halftones, bibliog., index
ISBN 978-1-57181-156-1 $135.00/£99.00 Hb Published (May 1999)
ISBN 978-1-57181-196-7 $29.95/£23.95 Pb Published (May 1999)
"The enormous amount of painstaking archival research that the authors undertook in Europe and in the U.S. makes this book an invaluable resource for studying Wiene's films and Weimar film in general." · The German Quarterly
"A superb filmography, excellent notes and bibliography. Careful, resourceful archival research. Make(s) available for the first time contemporary critical responses in the form of useful synopses." · CHOICE
While the Cabinet of Dr. Caligari became an international film classic, its director, Robert Wiene, was disparaged and even forgotten. Wiene's oeuvre, however, exhibits a surprising versatility and quality, featuring Raskolnikov, an expressionist adaptation of Dostoevsky's novel, INRI, a monumental Bible epic, Orlac's Hands, a psychological thriller, and Der Rosenkavalier, an ambitious opera film. His last film, Ultimatum(1938), is a vehement warning of approaching war, which remains relevant today. With painstaking research of the major European film archives, the author's detailed portrait reveals a career far more differentiated than hitherto acknowledged. Caligar/i - though rated the second most important film in German film history in a recent critic's and scholar's poll - was a landmark rather than a culmination in a career that successfully oscillated between artistic and commercial interests.
As the field of film studies rediscovers film history and the value of historical context for the analysis of individual films, monographs on filmmakers are increasingly valuable to scholars and students of both film history and cultural studies. Through the provocative and prolific career of Robert Wiene, a wider, more dynamic view of fantasy production in the Weimar Republic is revealed, enabling the reader to better appreciate the complex shapes of Weimar cinema, its inimitable blend of modernism and mass culture, of avant-garde enterprie, and generic production.
Uli Jung is a film historian who received his training at the RWTH Aachen, Clark University, Worcester, and Trier University. He has been working as a freelance researcher for the Cinématèque Municipale de Luxembourg and co-edited its series Filmgeschichte international.
Walter Schatzberg is a professor of German and an adjunct professor of screen studies at Clark University. His research interests include the history of German-Jewish culture and German film history.
Subject: Film Studies
Chapter 1. Wiene's Life and Film Career
Chapter 2. Wiene's Pre-Caligari Film Career
Chapter 3. The Cabinet of Dr. Cagliari
Chapter 4. Post-Cagliari-Period Films 1920-1921
Chapter 5. Films for the Lionardo and Neumann Production Companies 1922-1924
Chapter 6. The Viennese Films 1924-1926
Chapter 7. The Last Silent Films: Berlin 1927-1929
Chapter 8. The Sound Films 1930-1938
Back to Top